Set between London and Baghdad, Saleem Haddad’s brilliant second novel is a sweeping, multigenerational tale of art, exile, memory, and the enduring legacies of war. In the summer of 2014, three long estranged Iraqi-British sisters are pulled back into each other’s orbit by the rediscovery of their late father’s long-lost paintings. Beautiful, elusive Zainab; embittered, practical Mediha; and headstrong, queer Ishtar each lay claim to their father’s legacy—an artistic and personal inheritance entwined with betrayal, exile, and a homeland they no longer recognize.
As the sisters fight to preserve, erase, or repurpose the past, Zainab’s estranged son Nizar, a war correspondent haunted by trauma and heartbreak, returns to the family fold. With the reemergence of buried memories comes a reckoning, and the family is forced to confront the personal and political betrayals that tore them apart. Spanning continents and decades—from 1950s Baghdad to contemporary London, from the Tigris River to Yemeni refugee camps—Floodlines is at once an intimate family drama and, in its scope, a modern epic. It is a rare novel that bridges the historic and the immediate and a heartfelt meditation on what it means to belong, to create, to endure.
